Upholstery & Soft Goods
Pouffe
The Importance of Being Earnest
Pacific Conservatory Theatre (2019)
Scenic Designer: Jason Bolen
Prop Master: Erin Finnegan
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After completing the shell the foam was prepped for tufting and covered
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The fabric was glued to the shell with Super 77
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Back cushions were stapled and seat cushions were screwed from underneath
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Gold cording and trim was hot glued to the shell
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Painted MDF was added to the top to complete the pouffe
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See Carpentry & Repair for the build process
Bedroll
Miss You Like Hell
TheatreSquared (2022)
Scenic Designer: Robin Vest
Prop Lead: Brodie Jasch
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This bed has gone through 3 iterations
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The first was built for a small platform with a locally sourced comforter
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The comforter was shortened to fit the platform
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The platform was later cut and foam was salvaged to fit the new unit
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A bedspread was made from scratch to fit the new bed
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The final iteration was shortened and removed the foam base
Side Chair
The Mountaintop
TheatreSquared (2022)
Scenic Designer: Tanya Orellana
Prop Lead: Brodie Jasch
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Old Webbing and coils were replaced with aircraft cable to reduced the seat sinking
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Based off of research images, we sourced fabric to best match
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The panels were sewn and sewn together with pipping
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Previous cushions were reused and sewn into the new covers
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See Carpentry & Repair for the repair process
Table Cloth
The Addams Family
Pacific Conservatory Theatre (2019)
Scenic Designer: Jason Bolen
Prop Master: Tim Hogan
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Tables from stock had padding added to the top for comfort of actors climbing on top of
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Top fabric was stapled to avoid slippage
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Swags, rosettes, and jabots were attached to disguise the seam between the top and front
Curtains
The Addams Family
Pacific Conservatory Theatre (2019)
Scenic Designer: Jason Bolen
Prop Master: Tim Hogan
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The pattern of the fabric was matched to achieve enough width for 100% fullness
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The curtains were hemmed and gathered
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Grommets were later added to mount the curtains
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Swags were stapled onto 1x4 mounts